Brand New Day
May
12
2001
Moline, IL, US
Mark Of The Quad Citieswith Dominic Miller
Small Mark crowd thrilled by Sting...
One of the biggest solo names ever to play the Mark of the Quad Cities made the most inauspicious of entrances Saturday night.
Sting, almost unrecognized by the audience, walked to the microphone and apologized for the absence of opening act Jill Scott, a Grammy-nominated R&B singer who was hospitalized earlier this week with a lung infection.
''I don't normally come out at this time of night,'' the singer told a sparse audience at the Mark.
After introducing his guitarist, Dominic Miller, who performed a 20-minute set, Sting made another surprise appearance on 'Shape of My Heart', from 'Ten Summoner's Tales'.
The night indeed belonged to Sting, who captivated an audience of about 8,000, alternating between album cuts and his numerous hits.
After making his entrance on 'If You Love Someone, Set Them Free', Sting rattled through a variety of musical genres, from world music to jazz to country to hip-hop. He spoke little during the two-hour concert, joking briefly as he stripped down to what has become his on-stage uniform: a tank top and camouflage pants.
''If you saw 'Ally McBeal' last week, you can't sue me for looking at your wife,'' he said, referring to an episode of the television show about lawyers, in which he made a guest appearance as himself. ''Forget it.''
He performed many of his own solo hits, including 'We'll Be Together', 'All This Time', 'Brand New Day' and 'Fields of Gold'. He also included several hits of The Police, including 'Every Little Thing She Does is Magic' and 'Roxanne'.
The only thing that would have made the Saturday-night concert better would have been a couple of thousand more fans. The disappointing number of audience members still were thrilled by a guided tour of decades of hits.
Why the disappointing crowd size? It could not have been a lack of publicity. High ticket prices? Upcoming acts Janet Jackson and Eric Clapton are charging more; Bon Jovi, just announced for July 11, has comparable ticket prices. With recent appearances everywhere from ''Ally McBeal'' to the ''Today'' show in the past few weeks, it's not like Sting's been in hiding.
A published story recently suggested that parents do not mind spending 100 bucks to send their kids to Destiny's Child or 'N Sync but will not shell out the same money themselves.
If grown-ups want to keep seeing grown-up music at the Mark, they had better start supporting it.
(c) The Cedar Rapids Gazette by David Burke
Mark Crowd explores depth, breadth of Sting...
Musical curiosity and an adventurous spirit has been the foundation of Sting's career since he melded jazz and reggae with punk as front man for The Police.
That ability to incorporate various styles into his repertoire without seeming like a carpetbagger continues to be his trademark, and it was well on display at The Mark Saturday night.
Almost 9,000 fans were treated to an eclectic, entertaining concert at the Moline arena, which featured a cavalcade of hits blended with several creative tangents and clever humor.
The man born Gordon Sumner sauntered on stage with little fanfare, letting his music provide the fireworks for a two-hour show.
'If You Love Somebody, Set Them Free' started the night off with a hefty push of gospel harmony in the chorus and streaming, jazzy verses.
The jittery 'All This Time' was a shining surprise, all caffeinated guitar and happy keyboard washes.
One of the concert's funniest moments took place during the countrified 'Fill Her Up'. As the song moseyed into its twangy intro, dozens of people took that as a cue to go gain a beer or lose a beer. Sting, however, took it in stride, waving goodbye without missing a beat.
Unfortunately for those folks, they likely missed the gorgeous 'Fields of Gold'. Adorned by a mournful guitar that augmented Sting's sandpaper voice, it was one of the night's most stunning numbers.
Same could be said about 'Every Little Thing She Does is Magic', which was delivered with ebullient glee and met with thunderous applause. You could tell from the joy Sting invested in the song, he regarded it as a cherished memento.
The title cut of his most recent album, 'Brand New Day', brought the crowd to its feet, clapping and swaying in time with its lolling beat.
That's where most of his fans remained for the rest of the night - through a dub inflected 'Englishman in New York', a potent, electrifying 'Roxanne' and a spartan 'Message in a Bottle'.
It's amazing when you consider how many hits Sting has produced, but it's even more impressive when you think about the fact that he's been so successful while jumping between musical genres and sounds.
However, that sonic breadth is one the reasons he's so entertaining in concert and one of the reasons so many fans undoubtedly left Saturday's concert satisfied.
(c) The Dispatch/Rock Island Argus by Sean Leary
One of the biggest solo names ever to play the Mark of the Quad Cities made the most inauspicious of entrances Saturday night.
Sting, almost unrecognized by the audience, walked to the microphone and apologized for the absence of opening act Jill Scott, a Grammy-nominated R&B singer who was hospitalized earlier this week with a lung infection.
''I don't normally come out at this time of night,'' the singer told a sparse audience at the Mark.
After introducing his guitarist, Dominic Miller, who performed a 20-minute set, Sting made another surprise appearance on 'Shape of My Heart', from 'Ten Summoner's Tales'.
The night indeed belonged to Sting, who captivated an audience of about 8,000, alternating between album cuts and his numerous hits.
After making his entrance on 'If You Love Someone, Set Them Free', Sting rattled through a variety of musical genres, from world music to jazz to country to hip-hop. He spoke little during the two-hour concert, joking briefly as he stripped down to what has become his on-stage uniform: a tank top and camouflage pants.
''If you saw 'Ally McBeal' last week, you can't sue me for looking at your wife,'' he said, referring to an episode of the television show about lawyers, in which he made a guest appearance as himself. ''Forget it.''
He performed many of his own solo hits, including 'We'll Be Together', 'All This Time', 'Brand New Day' and 'Fields of Gold'. He also included several hits of The Police, including 'Every Little Thing She Does is Magic' and 'Roxanne'.
The only thing that would have made the Saturday-night concert better would have been a couple of thousand more fans. The disappointing number of audience members still were thrilled by a guided tour of decades of hits.
Why the disappointing crowd size? It could not have been a lack of publicity. High ticket prices? Upcoming acts Janet Jackson and Eric Clapton are charging more; Bon Jovi, just announced for July 11, has comparable ticket prices. With recent appearances everywhere from ''Ally McBeal'' to the ''Today'' show in the past few weeks, it's not like Sting's been in hiding.
A published story recently suggested that parents do not mind spending 100 bucks to send their kids to Destiny's Child or 'N Sync but will not shell out the same money themselves.
If grown-ups want to keep seeing grown-up music at the Mark, they had better start supporting it.
(c) The Cedar Rapids Gazette by David Burke
Mark Crowd explores depth, breadth of Sting...
Musical curiosity and an adventurous spirit has been the foundation of Sting's career since he melded jazz and reggae with punk as front man for The Police.
That ability to incorporate various styles into his repertoire without seeming like a carpetbagger continues to be his trademark, and it was well on display at The Mark Saturday night.
Almost 9,000 fans were treated to an eclectic, entertaining concert at the Moline arena, which featured a cavalcade of hits blended with several creative tangents and clever humor.
The man born Gordon Sumner sauntered on stage with little fanfare, letting his music provide the fireworks for a two-hour show.
'If You Love Somebody, Set Them Free' started the night off with a hefty push of gospel harmony in the chorus and streaming, jazzy verses.
The jittery 'All This Time' was a shining surprise, all caffeinated guitar and happy keyboard washes.
One of the concert's funniest moments took place during the countrified 'Fill Her Up'. As the song moseyed into its twangy intro, dozens of people took that as a cue to go gain a beer or lose a beer. Sting, however, took it in stride, waving goodbye without missing a beat.
Unfortunately for those folks, they likely missed the gorgeous 'Fields of Gold'. Adorned by a mournful guitar that augmented Sting's sandpaper voice, it was one of the night's most stunning numbers.
Same could be said about 'Every Little Thing She Does is Magic', which was delivered with ebullient glee and met with thunderous applause. You could tell from the joy Sting invested in the song, he regarded it as a cherished memento.
The title cut of his most recent album, 'Brand New Day', brought the crowd to its feet, clapping and swaying in time with its lolling beat.
That's where most of his fans remained for the rest of the night - through a dub inflected 'Englishman in New York', a potent, electrifying 'Roxanne' and a spartan 'Message in a Bottle'.
It's amazing when you consider how many hits Sting has produced, but it's even more impressive when you think about the fact that he's been so successful while jumping between musical genres and sounds.
However, that sonic breadth is one the reasons he's so entertaining in concert and one of the reasons so many fans undoubtedly left Saturday's concert satisfied.
(c) The Dispatch/Rock Island Argus by Sean Leary
PHOTOS
